This iconography issue alternates photographs of Lower Manhattan, specifically scenes from the neighborhood around Stuyvesant Town where E.J. Gold lived as a child, with art works of some of the same scenes and portrayals of other labyrinth chambers. The juxtaposition is suggestive, highly resonant, and provides something not available through a thousand words. This ToTM also gives an idea of the Bardo Photography Project, which is highly recommended by E.J. Gold for everyone. One of its primary approaches is to photograph scenes from one's own childhood which were experienced as bardo chambers.